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Chess Opening Theory/1. c4/1...c5/2. b4

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English Opening - Symmetrical Variation - Queen's Wing Gambit

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Queen's Wing Gambit
a b c d e f g h
8a8 black rookb8 black knightc8 black bishopd8 black queene8 black kingf8 black bishopg8 black knighth8 black rook8
7a7 black pawnb7 black pawnc7 black kingd7 black pawne7 black pawnf7 black pawng7 black pawnh7 black pawn7
6a6 black kingb6 black kingc6 black kingd6 black kinge6 black kingf6 black kingg6 black kingh6 black king6
5a5 black kingb5 black kingc5 black pawnd5 black kinge5 black kingf5 black kingg5 black kingh5 black king5
4a4 black kingb4 white pawnc4 white pawnd4 black kinge4 black kingf4 black kingg4 black kingh4 black king4
3a3 black kingb3 black kingc3 black kingd3 black kinge3 black kingf3 black kingg3 black kingh3 black king3
2a2 white pawnb2 black kingc2 black kingd2 white pawne2 white pawnf2 white pawng2 white pawnh2 white pawn2
1a1 white rookb1 white knightc1 white bishopd1 white queene1 white kingf1 white bishopg1 white knighth1 white rook1
a b c d e f g h
Position in Forsyth-Edwards Notation (FEN)
Moves: 1. c4 c5 2. b4
ECO code: A30
Parent: English Opening, Symmetrical Variation
Synonym(s): English Wing Gambit, Wing Gambit
Responses:
2. ... b6
2. ... d6
2. ... cxb4

Alternatively referred to as the "English Wing Gambit" or just the "Wing Gambit". Not to be confused with other wing gambits.

2. b4 is the characterising move of the Queen's Wing Gambit. White sacrifices b4 to Black's c5 pawn to bring it away from the centre planning to play a later d4, and to fianchetto the queenside bishop. Similar to the Queen's Gambit in the classical sense of drawing a central pawn away from the centre, thee Queen's Wing Gambit draws a centre-influencing pawn farther away from the centre to a place where it has essentially no effect.

The Queen's Wing Gambit is considered unsound by most masters and is uncommon in high-level play, but remains unrefuted and is playable. It is a Romantic-era opening.

Responses

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Black usually responds in three main ways:

2. ... b6

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Black declines the gambit, as well as providing fianchetto space to the black queenside bishop. White may exchange b-pawns (3. bxc5) or may continue developing (3. e3 / 3. Nf3).

2. ... d6

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Black declines the gambit with a central pawn as opposed to a flank pawn. White may exchange (3. bxc5), and Black would have to recapture with a central pawn (3. ... dxc5) to maintain equal material, in essentiality exchanging control of the centre for the flank. Such a move is suboptimal but is not unplayable; this is similar to the Polish Opening's main exchange line between a central and flank pawn.

2. ... cxb4

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Black accepts the gambit. White usually proceeds in these main ways:

3. d4

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White may get straight to the point of why they got c5 out of the way: to get to controlling and occupying the centre with pawns. Similar to the Saduleto Variation of the Queen's Gambit Accepted (where White plays e4 as soon as possible, White chooses to play d4 before Black can play anything that hinders it e.g. e5 and the like.

3. Bb2

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White fianchettoes their queenside bishop, controlling the centre from a distance as well as preventing Black e5. This is more of a hypermodern approach to the QWG. By this point, Black usually responds with 3. ... Nf6, 3. ... e6, or, more rarely, the Anglo-Scandinavian Defence-like d5.

3. a3

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White offers to trade pawns, attempting to either gain initiative or space through Black's attempts to defend it, or to free up the queenside knight. This is similar to the pawn trade offer in the Benko Gambit of the Benoni Defence to the Indian Game. If Black were to accept (3. ... bxa3), White should develop the queenside bishop far through recapturing (4. Bxa3).

Theory table

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