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Chess Opening Theory/1. e4/1...c6/2. d4/2...d5/3. e5

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Caro-Kann Defence - Advance Variation
a b c d e f g h
8a8 black rookb8 black knightc8 black bishopd8 black queene8 black kingf8 black bishopg8 black knighth8 black rook8
7a7 black pawnb7 black pawnc7 black kingd7 black kinge7 black pawnf7 black pawng7 black pawnh7 black pawn7
6a6 black kingb6 black kingc6 black pawnd6 black kinge6 black kingf6 black kingg6 black kingh6 black king6
5a5 black kingb5 black kingc5 black kingd5 black pawne5 white pawnf5 black kingg5 black kingh5 black king5
4a4 black kingb4 black kingc4 black kingd4 white pawne4 black kingf4 black kingg4 black kingh4 black king4
3a3 black kingb3 black kingc3 black kingd3 black kinge3 black kingf3 black kingg3 black kingh3 black king3
2a2 white pawnb2 white pawnc2 white pawnd2 black kinge2 black kingf2 white pawng2 white pawnh2 white pawn2
1a1 white rookb1 white knightc1 white bishopd1 white queene1 white kingf1 white bishopg1 white knighth1 white rook1
a b c d e f g h
Position in Forsyth-Edwards Notation (FEN)

rnbqkbnr/pp2pppp/2p5/3pP3/3P4/8/PPP2PPP/RNBQKBNR b

Moves: 1. e4 c6 2. d4 d5 3. e5

Caro-Kann Defence - Advance Variation

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The Advance Variation was widely regarded as inferior for many years, owing chiefly to the strategic demolition that Aron Nimzowitsch (playing as White) suffered at the hands of José Capablanca in one of their games at the New York 1927 tournament. It has since been revitalized by aggressive lines such as the Bayonet Attack (4.Nc3 e6 5.g4) favored by Latvian Grandmaster Alexei Shirov or the less ambitious 4.Nf3 e6 5.Be2 c5 6.Be3 popularized by English Grandmaster Nigel Short.

Black almost always plays 3...Bf5 to free the light-squared bishop outside the pawn chain.

a b c d e f g h
8a8 black rookb8 black knightc8 black bishopd8 black queene8 black kingf8 black bishopg8 black knighth8 black rook8
7a7 black pawnb7 black pawnc7 black kingd7 black kinge7 black pawnf7 black pawng7 black pawnh7 black pawn7
6a6 black kingb6 black kingc6 black kingd6 black kinge6 black kingf6 black kingg6 black kingh6 black king6
5a5 black kingb5 black kingc5 black pawnd5 black pawne5 white pawnf5 black kingg5 black kingh5 black king5
4a4 black kingb4 black kingc4 black kingd4 white pawne4 black kingf4 black kingg4 black kingh4 black king4
3a3 black kingb3 black kingc3 black kingd3 black kinge3 black kingf3 black kingg3 black kingh3 black king3
2a2 white pawnb2 white pawnc2 white pawnd2 black kinge2 black kingf2 white pawng2 white pawnh2 white pawn2
1a1 white rookb1 white knightc1 white bishopd1 white queene1 white kingf1 white bishopg1 white knighth1 white rook1
a b c d e f g h
Advance variation with 3...c5

The 3...c5 variation is an important alternative and avoids the weight of theory associated with 3...Bf5. It was used by Mikhail Botvinnik in his 1961 match vs. Mikhail Tal (though with a negative outcome for Botvinnik – two draws and a loss). In comparison to the French defense, Black lacks the tempo normally spent on ...e6. However, White can only exploit this by the weakening of his own central bind with 4.dxc5 when Black has good chances of regaining the pawn.

Theory table

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For explanation of theory tables, see theory table and for notation, see algebraic notation..

1.e4 c6 2.d4 d5 3.e5

3

Bf5

c5

g6

Na6

e6

Qb6

h5

Nh6

b6

f6

Be6

When contributing to this Wikibook, please follow the Conventions for organization.

References

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Wikipedia has related information at Caro-Kann


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