The Lyrics of Henry VIII/Appendix 3

Lyrics | Manuscript | Authors and Composers
The Lyrics of Henry VIII
Appendix 1: Lyrics by Occasion/Theme | Appendix 2: Textual/Musical Witnesses | Appendix 3: Bibliography

Contents
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

A

Ackerman, Phyllis. Tapestry: The Mirror of Civilization. Oxford: Oxford UP, 1933.
Agricola, Alexandri. Opera Omnia. Alexander Agricola: Collected Works Vol. 4. Edward R. Lerner, ed. Neuhausen-Stuttgart: American Institute of Musicology, 1966.
Akrigg, G. P. V. “The Literary Achievement of King James I.” University of Toronto Quarterly 44 (1975): 115-29.
Aldis, Harry G. A List of Books Printed in Scotland Before 1700. Edinburgh: National Library of Scotland, 1970.
Albrecht, Hans, ed. Georg Rhau: Musikdrucke aus den Jahren 1538 bis 1545. Hanover: Kassell, 1959.
Anglo, Sydney. Spectacle, Pageantry, and Early Tudor Policy. Oxford: Clarendon P, 1969.
---. The Great Tournament Roll of Westminster. Oxford: Clarendon P, 1968.
---. “The Court Festivals of Henry VII: A Study Based Upon the Account of John Heron, Treasurer of the Chamber.” Bulletin of the John Rylands Library 43.1 (1960): 12-45.
---. “The Evolution of the Early Tudor Disguising, Pageant, and Mask.” Renaissance Drama [n.s.] 1 (1968): 12-45.
---. “William Cornish in a Play, Pageants, Prison, and Politics.” Review of English Studies [n.s.] 10 (1959): 353-7.
Anonymous. A Most pleasant Comedie of Mucedorus the Kings sonne of Valentia and Amadine the Kings daughter of Arragon, with the merie conceites of Mouse. London: William Iones, 1598.
Anonymous. The Castle of Perseverance. In The Macro Plays. Mark Eccles, ed. Oxford: Oxford UP, 1969.
Anonymous. The Jousts of June. [Here begynneth the Iustes and tourney of ye moneth of Iune parfurnysshed and done by Rycharde Graye erle of Kent/by Charles brandon wt theyr two aydes agaynst all comers. The .xxii. yere of the reygne of our souerayne lorde kynge Henry ye seuenth.] London: 1507. [See Kipling (“Queen of May’s Joust”).]
Anonymous. The Jousts of May. [Here begynneth the Iustes of the moneth of Maye parfurnysshed & done by Charles brandon. Thomas knyuet. Gyles Capell & Wyllyam Hussy. The .xxii. yere of the reygne of our souerayne lorde Kynge Henry the seuenth.] London: 1507. [See Kipling (“Queen of May’s Joust”).]
Anonymous. The Riddles of Heraclitus and Democritus. London: Arn. Hatfield for Iohn Norton, 1598.
Anonymous. Two Wise Men and All the Rest Fooles. London: 1619.
Arber. Arber, Edward. Dunbar Anthology. (Dunbar and his Times.)
Arber, Edward. Dunbar and his Times. [Dunbar Anthology.] London: Frowde, 1900 [repr. 1984].
Arn, Mary-Jo, ed. Fortunes Stabilnes: Charles of Orleans’s English Book of Love, A Critical Edition. Binghamton, NY: Medieval and Renaissance Texts and Studies, 1994.
Ashbee, Andrew, ed. Records of English Court Music. Volume VIII (1485-1714). Aldershot: Scolar P, 1995.
Atlas, Allan, ed. The Capella Giulia Chansonnier: Rome. Biblioteca Apostolica Vaticana, C.G.XIII.27. Musicological Studies XXVII. 2 vols. New York: Institute of Mediæval Music, 1975.
Auerbach, Erna. Tudor Artists. London: Athlone P, 1954.

B

Baldwin, David. The Chapel Royal, Ancient and Modern. London: Duckworth, 1990.
Balestrieri, Elizabeth. “Prison/Anti-Prison: The Writings of Elizabeth I and Marguerite de Navarre.” 115-22 in Ginette Adamson and Eunice Myers, eds. Continental, Latin-American and Francophone Women Writers. Vol. 2. Lanham, MD: UP of America, 1987.
Banks, T. C. The Dormant and Extinct Baronetage of England. London: J. White, 1808.
Barbour, John. Barbour’s Bruce. 3 vols. Matthew P. McDiarmid, ed. Edinburgh: The Scottish Text Society, 1980-1986.
Barclay, Alexander. The Eclogues of Alexander Barclay. Beatrice White, ed. [Early English Text Society.] London: Oxford UP for EETS, 1928.
Barclay, Alexander. Here begynnyth a treatyse intitulyd the myrrour of good maners conteynynge the .iiii. vertues callyd cardynall. London: Richard Pynson, [1523].
Baron, Helen. “Mary (Howard) Fitzroy’s Hand in the Devonshire Manuscript.” Review of English Studies [n.s.] 179 (1994): 318-335.
Baumann, Uwe, ed. Henry VIII in History, Historiography and Literature. Frankfurt: Peter Lang, 1992.
Beal, Peter. Index of English Literary Manuscripts. Vol. 1, 1450-1625. London: Mansell, 1980-.
Becherini, Bianca. “Alcuni canti dell’Odhecaton e del cod. fior. 2794.” Bulletin de l’Institut Historique Belge de Rome 21 (1942-3): 327-48.
Beaufort, Margaret. The Earliest English Translation . . . of De imitatione Christi. John K. Ingram, ed. [EETS e.s. 63]. London: Early English Text Society, 1983.
Behrens, Betty. “A Note on Henry VIII’s Divorce Project of 1514.” Bulletin of the Institute of Historical Research 11 (1933-4): 163-4.
Berdan, John M. Early Tudor Poetry. New York: Macmillan, 1920.
Berners, John Bourchier, Lord. The Boke of Duke Huon of Burdeux Done into English by Sir John Bourchier, Lord Berners. [EETS e.s. 40, 41, 43, 50.] S.L. Lee, ed. Early English Text Society: London, 1882-7.
Bevington, David. Tudor Drama and Politics: A Critical Approach to Topical Meaning. Cambridge, MA: Harvard UP, 1968.
Birrell, T.A. English Monarchs and Their Books: From Henry VII to Charles II. [The Panizzi Lectures, 1986]. London: The British Library, 1987.
Black. Black, Matthew W., ed. Elizabethan and Seventeenth-Century Lyrics.
Black, L. G. “A Lost Poem by Queen Elizabeth I.” Times Literary Supplement (May 23, 1968): 535. [See also the issues of 30 May 1968 (553), 6 June 1968 (597), 4 July 1968 (705) and 12 Sept. 1968 (1032).]
Black, Matthew W., ed. Elizabethan and Seventeenth-Century Lyrics. Chicago: J.B. Lippincott Co., 1938.
Black, William Henry. A Descriptive, Analytical, and Critical Catalogue of the Manuscripts Bequeathed unto the University of Oxford by Elias Ashmole. Oxford: Oxford UP, 1845.
Block, Adrienne F. The Early French Parody Noël. Ann Arbor, MI: U of Michigan P, 1983.
Bodleian Library. [Working Copies of] Bodleian Manuscript Catalogues. Music. Oxford: Bodleian Library (accessed 1995).
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Boffey. Boffey, Julia. Manuscripts of English Courtly Love Lyrics in the Later Middle Ages.
Boffey, Julia. Manuscripts of English Courtly Love Lyrics in the Later Middle Ages. Manuscript Studies 1. Woodbridge, Suffolk: D. S. Brewer, 1985.
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Bold, Henry. Latine Songs, With their English: and Poems. London: John Eglesfield, 1685.
Bontoux, Germaine. La Chanson en Angleterre au Temps d’Élisabeth. Oxford: Oxford UP, 1936.
Bournoulli E., and H. J. Moser, eds. Das Liederbuch des Arnt von Aich. Kassel: Barenreiter, 1930.
Bowers, Roger. “Early Tudor Courtly Song: An Evaluation of the Fayrfax Book (BL, Additional MS 5465).” 188-212 in Thompson, ed., The Reign of Henry VII.
Bradner, L. “The Xenophon Translation Attributed to Elizabeth I.” Journal of the Warburg and Courtauld Institutes 27 (1964): 324-326.
Bradshaw, Henry. The Life of Saint Werburge of Chester. [EETS 88.] C. Horstmann, ed. Early English Text Society: London, 1887.
Brennan, Michael G. “Two Private Prayers by Queen Elizabeth I.” Notes and Queries [n.s.] 32.1 (1985): 26-28.
Brooks, Catherine. “Antoine Busnois, Chanson Composer.” Journal of the American Musicological Society 6 [1953]:111-135.
Brooks, Sarah W. “Some Predecessors of Spenser.” Poet-Lore 1 (1889): 214-23.
Briggs Collection. Briggs, Henry B. A Collection of Songs and Madrigals of the Fifteenth Century.
Briggs, Henry B. A Collection of Songs and Madrigals of the Fifteenth Century. London: Plainsong and Mediæval Music Society, 1891.
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---. Index of Manuscripts in the British Library. Cambridge: Chadwyck-Healey, 1984.
---. The Manuscript Index of First and Last Lines. Department of Manuscripts of the British Library. (Computer-generated list, accessed Fall 1995).
Brown, Howard Mayer, ed. A Florentine Chansonnier from the Time of Lorenzo the Magnificent: Florence, Biblioteca Nazionale Centrale MS Banco Rari 229. 2 vols. Chicago: U Chicago P, 1983.
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Brownlee, Kevin, and Walter Stephens, eds. Discourses of Authority in Medieval and Renaissance Literature. Hanover and London: Dartmough College [UP of New England], 1989.
Bruce, Mary L. The Making of Henry VIII. London: Collins, 1977.
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Byrd, William. Psalmes, Songs, and Sonnets: Some Solemn, Others Joyfull, Framed for Voyces of Voils of 3. 4. 5. and 6. Parts. London: Thomas Snodham, 1611.
Byrne, Muriel St. Clare. The Letters of King Henry VIII. London: Cassell, 1968.

C

Caldwell, James R., ed. Eger and Grime. Cambridge, MA: Harvard UP, 1933.
Calendar of State Papers and Manuscripts Existing in the Archives and Collections of Milan. London: H. M. Stationery Office, 1912.
Calendar of Letters, Despatches, and State Papers Relating to the Negociations Between English and Spain. G. A. Bergenroth, et al., eds. London: Longmans, 1862-.
Calendar of State Papers and Manuscripts, Relating to English Affairs, Existing in the Archives and Collections of Venice and in other Libraries of Northern Italy. Ed. Rawdon Brown. London: Longmans, Green, Reader & Dyer, 1867.
Calendar of Patent Rolls, Henry VII. London: Public Record Office, 1916.
Campbell, Lily B., ed. A Mirror for Magistrates [1563]. Cambridge: Cambridge UP, 1938.
Campion, Thomas. The Works of Thomas Campion: Complete Songs, Masques, and Treatises with a Selection of the Latin Verse. Walter R. Davis, ed. New York: Doubleday, 1967.
Carley, James P., ed. The Libraries of King Henry VIII. London: British Library, 2000.
---, ed., with David Starkey (preface). The Books of King Henry VIII and His Wives. London: British Library, 2004.
Carpenter, Nan. C. John Skelton. New York: Twayne, 1967.
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---. “St. Thomas More and Music: The Epigrams.” Renaissance Quarterly 30 (1977): 24-8.
---. “Thomas More and Music: Stanyhurst’s Translation of the Abyngdon Epitaph.” Moreana 62 (1979): 63-8.
---. “A Song for All Seasons: Sir Thomas More and Music.” Comparative Literature 33 (1981): 113-36.
Castiglione, Baldassare. The Book of the Courtier. Charles Singleton, trans. New York: Anchor, 1959.
Cavendish, George. The Life of Cardinal Wolsey [And metrical visions, from the original autograph manuscript]. Samuel Weller Singer, ed. Chiswick, UK: Harding, Triphook, and Lepard, 1825.
Caxton, William. The Recuyell of the Historyes of Troye. 2 vols. H. Oskar Sommer, ed. London: D. Nutt, 1894
---. The Ryal Book or Book for a Kyng. Westminster: 1484.
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies I. 5 vols. Neuhausen-Stuttgart: American Institute of Musicology, 1979-88.
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Chambers, Edmund K. Oxford Book of Sixteenth Century Verse. Oxford: Clarendon P, 1932.
---. “Sir Thomas Wyatt.” 98-145 in Sir Thomas Wyatt and Some Collected Studies. London: Sidgwick & Jackson, 1933.
--- and F. Sidgwick. Early English Lyrics. London: A.H. Bullen, 1911.
Chappell Account. Chappell, William. “Some Account of an Unpublished Collection.”
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Chappell, William. “Some Account of an Unpublished Collection of Songs and Ballads of King Henry VIII and His Contemporaries.” Archaeologia 41.2 (1866): 371-386.
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Charlton, E. “Devotional Tracts Belonging to Queen Katherine Parr.” Notes and Queries [ser. 1] 2 (1850): 212.
Chaucer, Geoffrey. The Riverside Chaucer. Third Edition. Larry D. Benson, gen. ed. Boston: Houghton Mifflin, 1987.
---. The workes of Geffray Chaucer newly printed, with dyuers workes neuer in print before. [Thynne’s Chaucer]. W. Thynne, ed. London: T. Godfray, 1532.
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Chrimes, Stanley B. Henry VII. London: Eyre Methuen, 1972.
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D

Davies. Davies, Reginald T., ed. Medieval English Lyrics.
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E

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Excerpta Historica. London: Samuel Bentley, 1831.

F

von Fallersleben, Hoffmann. Antwerpener Liederbuch vom Jahre 1544 (Horae Belgicae [part] XI). Hanover, 1855. 222-224.
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G

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H

Hadow, W.H., ed. The Oxford History of Music. Oxford: Clarendon P, 1905.
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The Lyrics of Henry VIII
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